![]() ![]() Guitar => compressor => wah pedal => overdrive => amplifier input amplifier effects send => chorus => tremolo => volume pedal => delay => reverb => amplifier effects return Overdriven and distorted sounds generated by your amplifiers preamp section sound much clearer with delays and reverbs placed within the loop. This setup allows the sound from your amplifier’s preamp section to feed into these effects. With this setup, only the delay and reverb effects are placed within the effects loop of the amplifier.Guitar => compressor => volume pedal => wah pedal => overdrive => chorus => tremolo => amplifier INPUT amplifier effects send => delay => reverb => amplifier effects return Here are some setups that include placing some of your effects within the effects loop of your amplifier: Our TimeLine and BigSky pedals have a Kill Dry feature (DRYSIG parameter in the GLOBLS menu) that mutes your dry signal for use in parallel effects loops-however we do not recommend using this setting when using more than one pedal within the effects loop. We recommend setting the MIX control on any of your effects to 100% when placed within a parallel effects loop. With this type of effects loop, there is typically an effect level control that allows you to dial in the amount of the effect you want heard along with your unaffected signal. With parallel effects loops, half the the signal from the amplifier’s preset section is sent through the Effects Sent OUTPUT to pass through effects, while the other half passes directly on to the amplifier’s power amp section to always be heard unaffected. With series effects loops, the entire signal from the amplifier’s preamp section is sent through Effects Send OUTPUT to pass through the effects and return through the power amp section from the Effects Return INPUT. There are 2 types of effects loops: series and parallel. You can also place your modulation pedals within the effects loop of your amplifier as well for a different sound. Otherwise you would be feeding your delay repeats and reverb ambiance into the overdrive and distortion of your amplifier, which can sound muddy and washed out. This placement is especially helpful if you get your overdrive and distortion from your amplifier instead of pedals. Typically, players tend to place their delay and reverb effects within the effects loops of their amplifiers. Not all amplifiers have effects loops, but those that do allow for you to place some of your effects within the loop. On some amplifiers, these can be labels Preamp Out (Effects Send) and Power Amp In (Effects Return). An effects loop is an audio input and output loop that is placed after the preamp and before the power amp section of your amplifier, using the Effects Send and Effects Return jacks. This is useful for fading in a fully overdriven signal without cleaning up the signal at the lower range of the sweep.Īnother way to set up your pedals is by placing them within the effects loop of your amplifier. This allows you to have full control of the volume of your signal right before the delay and reverb effects. This setup is the same as the first one above, however, the volume pedal has been placed near the end of the chain right before the delay and reverb effects.Guitar => compressor => wah pedal => overdrive => chorus => tremolo => volume pedal => delay => reverb => amplifier This can be useful to clean up your signal by rocking back the volume a bit if you have the overdrive engaged. In this particular setup, the volume pedal is placed near the beginning of the signal chain to control the volume level going to the other effects and the amplifier.Guitar => compressor => volume pedal => wah pedal => overdrive => chorus => tremolo => delay => reverb => amplifier Here are some example effect setups that many musicians use following the above suggestions. Volume pedals can go at the beginning or end of your signal chain to provide slightly different functionality in different locations in your chain.Time based effects such as delays and reverbs work best at the end of the signal chain. ![]()
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